Encaustic, or molten beeswax mixed with pigment, is Steeves’ medium of choice. The physicality of the encaustic medium is reinforced in the form of large renderings of fingerprints layered over the canvas surface. The prints are often Steeves’ own — he had himself ‘processed’ by the Vancouver Police Department in preparation for this work — and they serve to remind us not only of the existence of the painter, but of the substance of the painting itself. [...]